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I'm planning using a 01v96i on my studio for rehearsals, and I need 8 separate monitors for the musicians. Brent Hahn. It's bad to answer a question with a question. And two wrongs don't make a right. But nobody said anything about three wrongs. So here goes What kind of band is this, that needs 8 mono cues to rehearse with?
For rehearsal, do you need headphones at all? That leaves the headphone jack and level control — this output tracks the main monitor signal at all times, which can either be the mix, any soloed channels or the two-track return. When monitoring the mix, Solo always overrides the monitor source in the usual way. Having connections on top of the mixer is a somewhat mixed blessing, because, although it makes casual connection easier, it can look untidy.
The back of the mixer looks fairly sparsely populated, with the main stereo outs on balanced XLRs and the four assignable Omni outs on balanced jacks. Further balanced jacks are used for the stereo monitor output and above these are three slide switches for the phantom power.
There are no fans inside 01V96, so mechanical noise is not an issue other than the chatter of busy motorised faders whenever you switch Scenes or fader layers. Each of the inputs has a dedicated mixer channel, and four further stereo input channels are provided, with slightly streamlined features, for use as aux returns. The mixer architecture is therefore sensibly based around 40 mixer channels, eight busses and eight aux sends, where four of these would normally be used to feed the internal effects units.
Comprehensive grouping and linking functions are supported for the creation of fader groups, mute groups, EQ linking and compressor parameter linking. Linking can be applied to channels, busses or aux sends.
The 01V96 already has one set of ADAT In and Out ports as standard, so adding a dual-ADAT expander card means a track recorder can be accommodated entirely in the digital domain, with the proviso that sample rates of The digital two-track input can be routed to any stereo channel or pair of channels and so shouldn't be considered just a two-track return.
I notice that the auto clock navigation system that was used in my 03D isn't available here, so you have to set the clock source manually when locking to an external digital source. A warning message comes up on screen if there's an obvious clocking problem, such as leaving the console set to internal sync while feeding in an external digital signal. Since the card slot accepts only the new mini-YGDAI interface cards, it is not compatible with most of the cards used in the original mixer series the exception being the original 01V, which also uses a mini-YGDAI slot.
When the optional dual-ADAT card is fitted, this may be used to run 16 further channels at standard sample rates or can work in 'doubled up' mode to run eight channels at the higher sample rates. It is also possible to cascade a pair of 01V96s in the digital domain. Furthermore, there's a comprehensive MMC section with on-screen transport controls these could be mapped to the User Defined keys and the ability to arm up to 24 tracks on a remote recording system.
Eight auto-locate points are included in this section, and MMC sync can recognise frame rates of 24, 25, 30 and 30 drop-frame. When a valid dump is received by the mixer, the existing settings are overwritten. This means that, if an mLAN card is installed and one of the connected devices is an mLAN MIDI interface, up to seven ports will be available for the connection of external devices — the mixer takes up one port. Similarly, any channel direct output, insert send or buss output can be routed to any physical output.
Routing setups may be stored in a routing library, and the current library setup may be stored as part of a Scene.
Importantly, though, the internal automation system does not include either dynamic or snapshot-based automation — this can only be accomplished by automating the fader movements or Scene changes from a sequencer or other software package suited to the task. Scenes may be mapped to MIDI Program Change messages so Scene switching via a sequencer is extremely easy and doesn't require the mixer to be locked to timecode. As far as I can see, this lack of integral dynamic automation is the only area where the 01V96 obviously falls behind the 03D it is an 01V replacement after all , but, for those working mainly with computers, this needn't be a drawback.
It is more of a limitation for those users teaming the 01V96 with a hardware recorder in a computerless environment, though Scenes can still be stepped through manually.
The Selected Channel control section beside the LCD screen allows quick access to EQ and panning parameters for the track you're working on. Photo: Mark Ewing Unlike the 02R96, the fader caps are not touch sensitive, but then automatic channel selection via touching fader caps is often more trouble than it is worth, and many users of such systems find themselves switching that particular function off.
Nevertheless, there is a user preference that, when active, automatically selects channels when a fader is moved. The faders used are made by Alps, and seem smoother and more responsive than the short-throw faders in my old 03D. Scene mix data is stored internally and must be dumped to an external MIDI device for storage if the internal memory capacity of 99 Scenes is exceeded, though the included Studio Manager software can be used to organise mix data as well as other libraries.
Studio Manager is actually a very serious piece of software that communicates bi-directionally with the mixer and provides an expanded graphical interface of the mixer's controls, libraries and settings both at global and channel level.
Changing either a Studio Manager control or a physical mixer control updates the other party see box for details. This feature is best described by example. Let's say you have the left channel of a signal coming in on input one, you can choose the right input to be fader one on the next layer input 17 so that only a single fader need be moved in layer one to control a stereo signal.
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